HSEpilogues/TheHomestuckEpilogues/OEBPS/Text/candy33.xhtml

271 lines
15 KiB
HTML
Raw Blame History

This file contains ambiguous Unicode characters!

This file contains ambiguous Unicode characters that may be confused with others in your current locale. If your use case is intentional and legitimate, you can safely ignore this warning. Use the Escape button to highlight these characters.

<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
<html xmlns='http://www.w3.org/1999/xhtml'>
<head profile='http://dublincore.org/documents/dcmi-terms/'>
<meta http-equiv='Content-Type' content='text/html;'/>
<title>The Homestuck Epilogues: Candy - Chapter 33</title>
<meta name='DCTERMS.title' content='The Homestuck Epilogues: Candy'/>
<meta name='DCTERMS.language' content='en' scheme='DCTERMS.RFC4646'/>
<meta name='DCTERMS.source' content='MFW'/>
<meta name='DCTERMS.issued' content='{$issued}' scheme='DCTERMS.W3CDTF'/>
<meta name='DCTERMS.creator' content='EpubPress'/>
<meta name='DCTERMS.contributor' content=''/>
<meta name='DCTERMS.modified' content='{$issued}' scheme='DCTERMS.W3CDTF'/>
<meta name='DCTERMS.provenance' content=''/>
<meta name='DCTERMS.subject' content='Unknown'/>
<link rel='schema.DC' href='http://purl.org/dc/elements/1.1/' hreflang='en'/>
<link rel='schema.DCTERMS' href='http://purl.org/dc/terms/' hreflang='en'/>
<link rel='schema.DCTYPE' href='http://purl.org/dc/dcmitype/' hreflang='en'/>
<link rel='schema.DCAM' href='http://purl.org/dc/dcam/' hreflang='en'/>
<link rel='stylesheet' type='text/css' href='../Styles/ebook.css'/>
</head>
<body>
<div id='s33'></div>
<div>
<h1>Chapter 33</h1>
<div class="o-story_text o_epilogue type-rg type-sm line-caption line-copy pad-x-0 pad-x-lg pad-b-lg">
<p class="no-indent"><span class="opener type-hs-opener-rg type-hs-opener-sm">J</span>ohn looks
up to see Rose waving at him while hanging out the hatch of a troll
cruiser. John tries to smile at her, but all he can muster is a
weird, queasy expression. Rose looks glad to see him anyway. She
drops to the ground when the modest cruiser comes in for a landing,
followed out, regrettably, by her daughter, Vriska.</p>
<p>Shit. John flies up to greet them, more quickly than he would
ordinarily in a situation where he wasnt trying to divert his
friends and her teenage daughters attentions away from a couple
making out in a bush. He dips forward like hes going in to hug
Vriska (to her apparent surprise, due to his historical complete
lack of desire for any physical contact to be made between them),
but instead uses his momentum to spin her all the way around so
that her back is facing the cursed shrubbery in the distance.</p>
<div class="chat type-rg type-hs-small">
<p class="vriska">VRISKA: Whoa! Hey, Old Man.</p>
<p class="john">JOHN: hey vriska, hey rose. nice to see you
both!</p>
<p class="rose">ROSE: John, I—</p>
</div>
<p class="no-indent">John and Rose appear equally surprised
themselves when Vriska hauls him in to seal the deal with a
crushing hug of her own.</p>
<div class="chat type-rg type-hs-small">
<p class="john">JOHN: haha. geez! hi vriska!</p>
<p class="vriska">VRISKA: Hi John!</p>
<p class="john">JOHN: this is great. just great. hey, why dont we
just go over here to talk, for like. no reason at all? ha ha.</p>
<p class="rose">ROSE: O... kay? If thats what you want.</p>
<p class="john">JOHN: oh yeah, its the thing i want most. the view
on the other side of this ship is just... AMAZING. trust me.</p>
</div>
<p class="no-indent">Rose cocks an eyebrow at him. Behind her, the
bush releases a strangled, lusty honk.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: Was that...</p>
<p class="rose">ROSE: Nevermind.</p>
<p class="rose">ROSE: Vriska, why dont you go and help your mother
with the deployments?</p>
<p class="vriska">VRISKA: UGH. I cant 8elieve I have to Actually
Listen to you now that were At War.</p>
<p class="rose">ROSE: Run along now, dear.</p>
</div>
<p class="no-indent">Thankfully, Vriska heeds her mothers command
and heads back to the cruiser. Rose tries to glance back toward the
source of the suspicious honk, but John pulls her behind the ship,
beyond audible range of the activity taking place in the offensive
bush.</p>
<p>On this side of the cruiser, troops are departing the hold in
single-file efficiency. Theyre all decked out in full Alternian
military garb. Its the cool, Tron-looking stuff with the
luminescent cording that matches their blood colors. Rose is
wearing it too, John notices, in black and lavender. He gives her a
concerned look up and down, then holds out his hands, palms up.</p>
<div class="chat type-rg type-hs-small">
<p class="john">JOHN: so... i guess this war is really
happening?</p>
<p class="rose">ROSE: Yes.</p>
<p class="rose">ROSE: I understand that you dont want to be
involved, and I respect your decision. However, I wanted to speak
with you before we left.</p>
<p class="john">JOHN: oh, thanks. i actually appreciate that a
lot.</p>
<p class="john">JOHN: i think i would have been pretty bummed if
you went off to your potential doom without saying goodbye.</p>
<p class="john">JOHN: now that i think about it, thats how this
all started, isnt it?</p>
<p class="john">JOHN: you were so sick that it looked like you were
dying, and i was about to leave on a perilous mission.</p>
<p class="john">JOHN: but now, here we are.</p>
<p class="john">JOHN: its almost like...</p>
<p class="john">JOHN: the circle of stupidity is complete?</p>
</div>
<p class="no-indent">Rose laughs.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: Dont be ridiculous John. Nothing is
complete.</p>
<p class="rose">ROSE: There is no true ending or beginning in this
scenario.</p>
<p class="john">JOHN: ha ha. yeah, right. because this is real
life, right?</p>
<p class="john">JOHN: i guess reading narrative relevance into a
bunch of dumb and totally random events is kind of lame and
childish.</p>
<p class="rose">ROSE: No, that isnt what I meant at all.</p>
<p class="rose">ROSE: By all means, apply a narrative to our lives.
Up until a certain point, it would have been perfectly accurate to
do so.</p>
<p class="rose">ROSE: But not anymore.</p>
<p class="john">JOHN: because... its not canon, right?</p>
<p class="rose">ROSE: Do you remember what I told you years ago?
About the three pillars of canon?</p>
<p class="john">JOHN: um.</p>
</div>
<p class="no-indent">John strokes his chin and thinks very hard on
this. Maybe too long, because Rose sighs and taps the bridge of his
spectacles.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: “No” is a perfectly valid answer to that
question, John.</p>
<p class="john">JOHN: i just didnt want to make it look like i
dont pay attention to your wordy philosophical babble!</p>
<p class="rose">ROSE: I philosophically babble rather a lot, or at
least I used to.</p>
<p class="rose">ROSE: It would be unfair of me to expect you to
retain nearly three decades of oblique technical jargon regarding
the metaphysics of the reality in which we inhabit.</p>
<p class="john">JOHN: wow, weve known each other a long time.</p>
<p class="rose">ROSE: Yes, we have.</p>
<p class="rose">ROSE: Well.</p>
<p class="rose">ROSE: It would be more accurate to say that we both
have and havent known each other a long time.</p>
<p class="rose">ROSE: As I explained to you on that morning sixteen
years ago, there are three critical features of canon:
essentiality, relevance, and truth.</p>
<p class="john">JOHN: yeah.</p>
<p class="rose">ROSE: We have been untethered from the mooring of
“truth” for some time now.</p>
<p class="rose">ROSE: So while we, in our subjective experiences of
conscious perception, feel in this moment that we have known each
other for a very long time, technically its not true at all.</p>
</div>
<p class="no-indent">Contemplating the vastness of that statement
makes John feel suddenly very small and sad. He shuts his eyes and
runs a hand through his hair.</p>
<div class="chat type-rg type-hs-small">
<p class="john">JOHN: oh my god, rose. its too early in the day
for this.</p>
<p class="rose">ROSE: I agree.</p>
<p class="rose">ROSE: And besides, thats not what I wished to
speak to you about.</p>
<p class="rose">ROSE: John.</p>
<p class="rose">ROSE: Look at me.</p>
</div>
<p class="no-indent">Rose wraps her narrow hands around Johns arms
and pulls him gently toward her. He cracks his eyes open to see her
face glimmering in the late morning sun. Her eyes are glossy and
bright in the gleaming light.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: I want to thank you.</p>
<p class="john">JOHN: for... for what?</p>
<p class="john">JOHN: didnt i fuck everything up by not going to
fight lord english?</p>
<p class="john">JOHN: its my fault were all living in this
meaningless hell world where everyones vaguely out of their minds,
and were all about to go to war over... freeing prisoners from the
whipping cream camps!</p>
<p class="rose">ROSE: Oh, whatever.</p>
<p class="rose">ROSE: The war is just as irrelevant as everything
else thats happened here in the last decade and a half.</p>
<p class="rose">ROSE: At least with a conflict, we have something
to DO.</p>
<p class="rose">ROSE: Something to strive for and against.
Something to believe in.</p>
<p class="rose">ROSE: Im thankful for that. But more than
anything, John, Im thankful that I got a chance to be happy.</p>
<p class="rose">ROSE: I never...</p>
</div>
<p class="no-indent">Rose pauses meaningfully, as if the
realization is falling into place as she says it.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: I never thought I would actually get to be
happy.</p>
<p class="john">JOHN: rose... you werent happy before?</p>
<p class="john">JOHN: when you married kanaya? before you got sick?
when we were all together?</p>
</div>
<p class="no-indent">Rose shakes her head. She brushes past John,
out toward the open field, away from the brewing battle. The land
is so flat that it rushes out to meet the horizon uninterrupted for
miles and miles. Rose is a pale flame against the brilliant haze of
a perfect Earth C morning.</p>
<p>John doesnt follow after her. He lets her compose herself
privately with her back to him. She clasps her hands in front of
her and raises her head to look at the perfectly blue sky with its
perfect sun and its perfect clouds, unmarred by the dark storm
brewing on the planet below.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: In Complacency of th—</p>
</div>
<p class="no-indent">She corrects herself.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: In the silly wizard story I wrote when I was
a child,</p>
<p class="rose">ROSE: The realm most comparable to heaven existed
in a state of subliminal conditionality, dependent on the inscience
of the individual experiencing it.</p>
<p class="rose">ROSE: Which is to say that it would cease to exist
the moment you realized what it was.</p>
<p class="rose">ROSE: And so, those with knowledge could never
truly be happy.</p>
</div>
<p class="no-indent">John looks at his hands. The same hands that
held Harry Anderson when he was a baby. The same hands that tore up
Terezis photograph just a few hours ago. The same hands that
remember steadying Rose on her sickbed sixteen years ago, and the
shaking feeling theyd awoken with that morning: a subharmonic
symphony that can only be heard in the bones. All things that
remain “true” to him. Knowledge of what came before his choice, and
then after. There are things that he cant forget. That he wont
forget. Is this the reason hes felt like this for so many
years?</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: But that isnt me anymore.</p>
<p class="rose">ROSE: I am blind against the veil of this
world.</p>
<p class="rose">ROSE: Its all ambrosia to me.</p>
<p class="rose">ROSE: I dont care if its not true. I care even
less if its not canon.</p>
<p class="rose">ROSE: I have a beautiful wife who I love more than
I thought possible, and a daughter who I am immeasurably proud
of.</p>
<p class="rose">ROSE: It can all be senseless, ephemeral noise that
dissolves in the void. A whisper swept up by the wind before its
uttered.</p>
<p class="rose">ROSE: Im still grateful to have felt this way.</p>
<p class="rose">ROSE: So, John...</p>
</div>
<p class="no-indent">Rose turns around, smiling. The smile is calm
and honest. Her eyes are perfectly clear. There is no other word
that could possibly do justice to her expression. She looks
happy.</p>
<div class="chat type-rg type-hs-small">
<p class="rose">ROSE: Thank you.</p>
</div>
<p class="no-indent">She comes forward to give him a kiss on the
cheek. John wraps his arms around her shoulders, pulls her into a
tight hug, and breathes in the scent of her hair. Whatever the
truth of the matter is, she still feels tangible and real to him.
What does it mean to be real, anyway?</p>
<p>Around them, the first wave of bombs start to go off. Bright
pinpricks of light and dark that flash and flame out, leaving a
nanosecond of absolute, dead silence in their wake.</p>
<p>Johns laughing when they part. Theyre enveloped in a cloud of
smoke and dirt so thick that they can barely see each other.
Despite what Rose said about there being no ends or beginnings for
them anymore, it feels very final. And in that moment, he thinks he
understands. Finality was always up to him.</p>
<p>He finally decides to allow it.</p>
</div>
</div>
</body>
</html>